Next week, from Feburary 1-February 5, archives are joining the adult coloring craze with #ColorOurCollections, providing coloring pages made from materials held within their special collections. We're joining in while simultaneously celebrating some newly released digitized material from the José Guadalupe Posada collection, circa 1875-1913.
Newly available for research is the Marjorie Henderson and Ruth Plumly Thompson archive.
ePADD Phase 2, an IMLS-funded grant project, begins on November 2nd and will run through fall of 2018. In early November we launch the grant with two meetings – one with our Partnering Institutions and another with our Advisory Board.
Testing ePADD is the first step for the SUL team and our partners over the next few months as we kick-off the project. This will help the five institutions to develop and prioritize development over the course of the project.
View or download:
A song and piano sketches by Chopin share two sides of a single leaf, once belonging to Polish ethnologist and composer Oskar Kolberg (1814- 1890), and now residing in Stanford's Memorial Library of Music. The Kolberg and Chopin families were neighbors, and Oskar followed Chopin at the Warsaw Lyceum, studying piano with one of Chopin’s teachers. Kolberg was a lifelong collector of music manuscripts, specifically Polish folk and national music, which he used in his scholarly endeavors.
In the ongoing Cabrinety-NIST Project, NIST normally performs all disk imaging, but there is an exception to the rule. When the Stanford fall session begins in late September, a subset of the Cabrinety collection will be used as teaching materials in the Rhetoric of Gaming class. Rather than send the Cabrinety boxes containing these materials to NIST (which is located in Gaithersburg, MD), and risk them not returning in time for the class, I decided to do all disk imaging at Stanford.
For the month of September, Peter Chan - our digital archivist - is visiting the Royal Library, the National Library of Denmark and Copenhagen to share tools and processes for managing born-digital materials in collections. While hosted by the Digital Preservation Department, he will also spend time with Digital Humanities team, the Digital Forensics team and finally the Game Preservation team (based on Peter's work with born-digital workflows, ePADD-email archiving software project and the NIST-Cabrinety project at the library as well as the GAMECIP project with UCSC).
We are thrilled to announce that Franz Kunst has joined our Department as a Manuscripts Processing Archivist. Please join us in welcoming him to the fold.
This is not his first appearance in Special Collections as he has been at Stanford University since 2006, when he began working as an intern at the Hoover Institute on an assessment of their audio holdings for their Radio Free Europe collection. In 2007 he joined the Manuscripts Division in Special Collections and has worked for us and the Archives of Recorded Sound on many special projects over the past nine years. Some of these have been bulk processing projects which opened up over 80 undocumented collections in the Archives of Recorded Sound and several large collections in Special Collections, including: Douglas Engelbart, Donald McQuivey, Washington Apple Pi. Additionally Franz has completed several smaller collections: Karl Cohen, Tom Law poster collection, Fred Buenzle.
Other notable projects are: the Riverwalk Jazz Project and the Educational Collections project where he processed several major collections, such as the papers of Ruth Asawa and Gyorgy Kepes. Franz has a B.A. from UNC, Chapel Hill in American Studies and Folklore and an MLIS from San Jose State University.