Next week, from Feburary 1-February 5, archives are joining the adult coloring craze with #ColorOurCollections, providing coloring pages made from materials held within their special collections. We're joining in while simultaneously celebrating some newly released digitized material from the José Guadalupe Posada collection, circa 1875-1913.
Newly available for research is the Marjorie Henderson and Ruth Plumly Thompson archive.
By Deardra Fuzzell and Wayne Vanderkuil
A historic manuscript map and a gem of the Stanford Library Map Collection, the Ōmi Kuni-ezu 近江國絵圖 Japanese Tax Map from 1837 is hand drawn and painted in the round. This map is designed to be displayed on the floor with the viewer standing in its center. From this central vantage point, the map may be read with ease from any direction. As this display and viewing method is no longer possible for a map fast approaching its 200th birthday, Stanford has recently digitized this item to enable access for research, teaching and learning as well as preservation of the original object.
This the largest and most difficult oversized map Stanford has digitized thus far.
See how the Map Program went about imaging this unique item.
ePADD Phase 2, an IMLS-funded grant project, begins on November 2nd and will run through fall of 2018. In early November we launch the grant with two meetings – one with our Partnering Institutions and another with our Advisory Board.
Testing ePADD is the first step for the SUL team and our partners over the next few months as we kick-off the project. This will help the five institutions to develop and prioritize development over the course of the project.
View or download:
A song and piano sketches by Chopin share two sides of a single leaf, once belonging to Polish ethnologist and composer Oskar Kolberg (1814- 1890), and now residing in Stanford's Memorial Library of Music. The Kolberg and Chopin families were neighbors, and Oskar followed Chopin at the Warsaw Lyceum, studying piano with one of Chopin’s teachers. Kolberg was a lifelong collector of music manuscripts, specifically Polish folk and national music, which he used in his scholarly endeavors.
In the ongoing Cabrinety-NIST Project, NIST normally performs all disk imaging, but there is an exception to the rule. When the Stanford fall session begins in late September, a subset of the Cabrinety collection will be used as teaching materials in the Rhetoric of Gaming class. Rather than send the Cabrinety boxes containing these materials to NIST (which is located in Gaithersburg, MD), and risk them not returning in time for the class, I decided to do all disk imaging at Stanford.
For the month of September, Peter Chan - our digital archivist - is visiting the Royal Library, the National Library of Denmark and Copenhagen to share tools and processes for managing born-digital materials in collections. While hosted by the Digital Preservation Department, he will also spend time with Digital Humanities team, the Digital Forensics team and finally the Game Preservation team (based on Peter's work with born-digital workflows, ePADD-email archiving software project and the NIST-Cabrinety project at the library as well as the GAMECIP project with UCSC).