A manuscript fair copy of the text an otherwise unrecorded work, Agamemnon, opéra des dames, Poëme heroique, don’t les paroles et la musique ont fait l’amusement d’un Particulier Vieux Stil, was recently acquired. It is believed to have originated in the second half of the eighteenth century and was apparently performed in Paris, “La Feste est au bord de la Seine près des Thuilleries” to mark the end of recent hostilities.
Blog topic: Manuscripts
After more than 37 years of service to Stanford, Sara Timby will retire from Special Collections at the end of this month. Trained in anthropology and ethnobotany at UC-Berkeley, Sara joined the Stanford Libraries staff in 1976 as a Special Collections assistant, where her duties were various, including public service, technical processing, acquisition management, and paging. In 1979, she took a position in the Department of Manuscripts and Archives working initially for Maggie Kimball, former University Archivist. In those days, the department typically acquired less than 100 feet of manuscript materials. One of the first collections she processed was the Yvor Winters and Janet Lewis papers, 1920–1970.
We are pleased to welcome Pennington Ahlstrand to Special Collections. Penny has accepted a position as the Project Archivist for the Gordon Moore project and will be working primarily out of our new Redwood City location.
The relocation for the Manuscripts Technical Unit is quickly approaching. After a few small delays, the dates have been set and our staff and collections will be moving the week of December 2nd immediately following the Thanksgiving holiday. Currently the room looks very large and very empty but the shelving (approx. 3,000 feet) will be installed over the next two weeks.
SUL’s Special Collections received an Innovation Grant from the National Historical Publications and Records Commission to develop a software program (ePADD) for processing and making email archives discoverable. The end goal is to produce an open-source tool that will allow repositories and individuals to interact with email archives before and after they have been transferred to a repository. It would consist of four modules, each based on a different functional activity: Processing (arrangement and description), Appraisal (collection development), Discovery (online via the web), and Delivery (access).
The project website was launched in August 2013 and lists: project goals, work plan, team, and collaborators. A twitter feed for the project was just launched although project updates and news will primarily be posted in Special Collections Unbound.