Buckminster Fuller has loomed large over the Stanford Media Preservation Lab ever since his archives were fully processed and described in the mid-2000s. Over the past eight years we've been slowly reformatting the extensive media component of this collection, but there was one media format that remained elusive: wire.
Blog topic: Media
At the Archive of Recorded Sound we have all been adapting to working in a variety of situations ranging from wearing masks all day to child care while nursery schools are closed. With the shift to working from home the Archive of Recorded Sound staff transitioned from processing physical collections and helping researchers in person to virtual office hours and the digital collection description backlog.
As the Stanford community continues to navigate the new world of remote teaching and scholarship, the library hopes that two new e-resources will make things a bit easier for students and scholars working on Modern Turkey and the Ottoman Empire.
Recently, at the Archive of Recorded Sound we have had discussions with many students about finding more than just the expected in Searchworks. In this case digitized archival sound recordings. Many of the sound recordings we work to preserve and provide access to are available streaming to the Stanford community and a few are even available to anyone interested in the world. Following are two video tutorials on how to filter search results to streaming archival sound recordings in Searchworks.
Stanford University researchers received the Best Paper Award at the 20th International Society for Music Information Retrieval Conference (ISMIR) on 4 November 2019 held in Delft, The Netherlands. ISMIR is the foremost organization promoting research and development of computer systems to access, organize, and represent music information. The award was presented to the authors Zhengshan “Kitty” Shi (Ph.D.
The Archive of Recorded Sound, in collaboration with the Stanford Media Preservation Lab, recently completed the digitization and cataloging of 684 analog recordings of The Standard Hour radio broadcasts that occurred between 1938 and 1955. This extensive project was generously funded through the Recordings at Risk program sponsored by the Council on Library and Information Resources (CLIR).