Mimi Tashiro, Music Bibliographer, has announced her retirement from Stanford Libraries beginning September 21. Mimi is incredibly devoted and loyal to Stanford University having spent her entire career of just over thirty-eight years as a distinguished music librarian at the Stanford Music Library.
Blog topic: Music
A pilot project in the Music Library to digitize sheet music and make images available in the SearchWorks catalog has produced its first collection, made up of 140 piano arrangements and transcriptions. Basic records for these items have long been in SearchWorks, and are now greatly enhanced with access to the digital images and options for close examination and download. This collection was chosen for scanning because the paper is too brittle to withstand the handling that results from practice and performance.
Listening to music has become a passion in our current, busy lives. With the development of digital formats and downloading, digital music devices abound in the marketplace, our homes, and our offices—but the listening experience hasn’t always been this way. Just a century ago, before the advent of “digital,” or stereo, or even electric recording, people enjoyed recorded music through such formats as 78 rpm records, cylinders, music boxes, and player piano rolls.
Buxtehude. Sacred works for five voices and instruments, part 3 (Works, v. 12) ; Miscellanea: sacred works for five or six voices and instruments; occasional works; canons; dubia (Works, v. 13) in The collected works / Dieterich Buxtehude ; [Kerala J. Snyder, general editor]
Three massive and extraordinary volumes were recently donated to the Stanford University Libraries: Modern Opera Houses and Theatres: Examples Selected from Playhouses Recently Erected in Europe, with Descriptive Text, a Treatise on Theatre Planning and construction, and Supplements on Stage Machinery, Theatre Fires, and Protective Legislationby Edwin O. Sachs, 2nd issue (London: B.T. Batsford, 1897-1898).The volumes measure 58.5 x 42 cm.
The Chuck Black Endowment for Early Jazz and Blues promotes the study of early and traditional jazz, blues, and similar musical styles as they emerged and evolved from 1900-1950. In 2016-17 the Endowment acquired twenty-four rare blues recordings.