The Howe Collection of Musical Instrument Literature has now been processed and is available for research. The collection was created by Richard J. Howe, an oil company executive and mechanical engineer as well as a collector of mechanical musical instruments and associated literature. The Howe Collection of Musical Instrument Literature, one of the largest and most comprehensive collections of its kind, documents the development of the music industry and the manufacture of pianos, organs, and mechanical musical instruments. The materials in the collection include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The Howe collection was originally donated to the Institute of Piano Music at the University of Maryland and later transferred to Stanford to support the Player Piano Project.
Blog topic: Music
The Music Library invites you to browse our reference collection. Note the following new additions, listed in no particular order:
Listening to music has become a passion in our current, busy lives. With the development of digital formats and downloading, digital music devices abound in the marketplace, our homes, and our offices—but the listening experience hasn’t always been this way. Just a century ago, before the advent of “digital,” or stereo, or even electric recording, people enjoyed recorded music through such formats as 78 rpm records, cylinders, music boxes, and player piano rolls.
Buxtehude. Sacred works for five voices and instruments, part 3 (Works, v. 12) ; Miscellanea: sacred works for five or six voices and instruments; occasional works; canons; dubia (Works, v. 13) in The collected works / Dieterich Buxtehude ; [Kerala J. Snyder, general editor]
Three massive and extraordinary volumes were recently donated to the Stanford University Libraries: Modern Opera Houses and Theatres: Examples Selected from Playhouses Recently Erected in Europe, with Descriptive Text, a Treatise on Theatre Planning and construction, and Supplements on Stage Machinery, Theatre Fires, and Protective Legislationby Edwin O. Sachs, 2nd issue (London: B.T. Batsford, 1897-1898).The volumes measure 58.5 x 42 cm.
The Chuck Black Endowment for Early Jazz and Blues promotes the study of early and traditional jazz, blues, and similar musical styles as they emerged and evolved from 1900-1950. In 2016-17 the Endowment acquired twenty-four rare blues recordings.