The Stanford University Libraries received a collection of documents and manuscripts from the conductor, pianist, composer, and music editor, Jacques-Louis Monod. He was born at Asnières-sur-Seine, France on 25 February 1927 and, as a child prodigy, began his education at the Paris Conservatory in 1935. He studied composition principally with René Leibowitz, who was a major influence on his work, and also with composers Olivier Messiaen, Bernard Wagenaar, Boris Blacher, and Josef Rufer.
Blog topic: New acquisitions
The Stanford Libraries have started a subscription to Met Opera on Demand, which streams more than 600 full-length Metropolitan Opera performances, including more than 100 high-definition videos known from their showings at movie theaters, classic telecasts originally broadcast live on tv from 1977-2003, radio broadcasts (audio only) of performances going back to 1935 from the Saturday matinee radio broadcasts, and more recent satellite radio broadcasts.
The University Archives is pleased to announce a new exhibit opening this week in the South Lobby/East Wing of Green Library, highlighting its vibrant collection of materials documenting queer history at Stanford. An online exhibit sharing these same titles and more can be accessed via exhibits.stanford.edu/queer.
Bach, CPE. Passion according to St. Mark (1778) / Carl Philipp Emanuel Bach ; pasticcio incorporating music by Georg Benda, Johann Gottlieb Graun, Gottfried August Homilius, and Georg Philipp Telemann ; edited by Uwe Wolf.
Bach, CPE. Passion according to St. John (1780) / Carl Philipp Emanuel Bach ; pasticcio incorporating music by Georg Benda, Johann Gottlieb Graun, Gottfried August Homilius, and Georg Philipp Telemann ; edited by Paul Corneilson.
I am excited to announce that the library has recently acquired access to all 16 modules of EPWRF's (Economic and Political Weekly Research Foundation) India Time Series, which provides data on India's economic indicators. The website is user-friendly and while there is some overlap with Indiastat there is also significant data that is unique to EPWRF. You can access more than 30,000 variables through the library record found here: https://searchworks.stanford.edu/view/12087106
The scholarly edition of the famous Tchaikovsky Piano Concerto no. 1 just landed in my lap (ouch!), which got me thinking about the impressive publications we in the music world know as “composer complete works editions,” or, “composer collected works.” These often lavish, multi-volume sets of music scores are painstakingly produced by scholars, based on all available source material, and published over time following a pre-determined order, and as the name implies, present the complete output of a particular composer.
For your browsing pleasure, we present the following list of new scores and facsimiles added to scholarly editions and historical sets.
Special Collections recently acquired a "Journal and Remark Book" kept by James B. Hay from 1867-1872. At the time he wrote the volume, Hay was a Midshipman in the Royal Navy. He served on the HMS Terrible, HMS Martin, HMS Gladiator, HMS Speedwell, and HMS Duke of Wellington. You can find him listed as the Midshipman of the Gladiator in The Navy List, Corrected to the 20th June, 1871.