Please join the Archive of Recorded Sound and Music Library in congratulating Clare Spitzer on her new appointment as Sound Archives Metadata Librarian. She began this new post on October 1, having spent the previous seven months in Stanford Libraries as Special Project Music Metadata Librarian.
Blog topic: Sound recordings
Friday, May 10th, marks the sesquicentennial of the Golden Spike, the ceremonial completion of the first transcontinental railroad. In honor of the occasion, curators Eitan Kensky, Kathleen Smith, and Ben Stone are organizing an Open House in Green Library from 11:00am to 3:00pm. In addition to material documenting the American transcontinental railroad and railroads in the United States, this event highlights stories of other significant trains and transportation networks around the world.
Frank Ferko is leaving Stanford Libraries to accept the position of Music Metadata Librarian at the University of California, Berkeley working in the Jean Gray Hargrove Music Library. Frank leaves a significant legacy of accomplishment at Stanford Libraries. Frank accepted the position of Sound Archives Librarian in August 2016. During the past two and a half years, Frank met with numerous classes to introduce them to the many special collections and recordings in the Archive and handled hundreds of reference questions from researchers all over the world.
The Archive of Recorded Sound, in collaboration with the Stanford Media Preservation Lab, recently completed the digitization and cataloging of 684 analog recordings of The Standard Hour radio broadcasts that occurred between 1938 and 1955. This extensive project was generously funded through the Recordings at Risk program sponsored by the Council on Library and Information Resources (CLIR).
Staff at the Archive of Recorded Sound have, for the first time, created a complete inventory of the ARS Sheet Music Collection. This culmination of over 13,000 published titles was generated through various donations during the Archive's first 60 years (1958-2018). The vast majority of titles within the collection are popular music scores published in the United States along with publications from England, France, Italy, and elsewhere.