The Archive of Recorded Sound is pleased to announce the acquisition and recently completed processing of the Art Vincent Jazz Collection. The collection features over 800 hours of interviews, broadcasts, and call-in segments primarily created for the radio program Art of Jazz, produced and presented by Art Vincent (1926-1993), Jazz DJ and concert producer. The show aired on radio stations in the New York Metropolitan area between 1961 and the mid 1980s, including WFHA, WJLK, WRLB, and WGBO. In addition to some live concert recordings, the show notably featured interviews with major figures in the jazz world, such as Stan Kenton, Count Basie, Buddy DeFranco, Woody Herman, Ray Charles, Frank Sinatra, Lou Rawls, Roy Eldridge, Skitch Henderson, Art Farmer, Duke Ellington, Teddy Wilson, Stan Getz, Louis Armstrong, Gerry Mulligan, Dave Brubeck, Benny Goodman, Stephane Grappelli, Dizzy Gillespie, Toshiko Akiyoshi, Vera Auer, Ruth Brown, Betty Carter, Etta Jones, Sheila Jordan, Nellie Lutcher, Anita O'Day, Shirley Scott, Maxine Sullivan, Nancy Wilson, and many others.
On March 13th, NPR featured a story on the Project South Collection held in the University Archives and Archive of Recorded Sound. Entitled "A King Speech You've Never Heard--Plus, Your Chance to Do Archive Sleuthing," the article describes the rich treasures found within the audio recordings, including a speech by Martin Luther King, Jr., and asks for volunteers to comb through the materials and share their findings. It also asks for volunteers to help us transcribe the remainder of the collection. So far, our crowd-sourcing experiment has yielded over twenty volunteers, who have completed five transcripts. Several more transcripts are in the works. We thank NPR and all our volunteers for their efforts as there is much work that remains to be done for this amazing collection.
The Project South Collection consists of transcribed interviews with Civil Rights workers in the South recorded by several Stanford students affiliated with the campus radio station KZSU during the summer of 1965. The project was sponsored by the Institute of American History at Stanford. Includes information relating to black history; interviews of members of the Congress of Racial Equality, the Mississippi Freedom Democratic Party, the NAACP, the Southern Christian Leadership Conference, and the Student Non-violent Coordinating Committee; recordings of formal and informal remarks of persons working with smaller, independent civil rights projects, of local blacks associated with the civil rights movement, and other people, including Ku Klux Klansmen; "action tapes" of civil rights workers canvassing voters, conducting freedom schools, or participating in demonstrations ; speeches by and/or interviews with Ralph David Abernathy, Charles Evers, James Farmer, Martin Luther King, Jr., and Hosea Williams; and a Ku Klux Klan meeting and speech made by Robert Sheldon, its Imperial Wizard.
A few weeks ago, Jerry McBride, Mimi Tashiro, Jon Manton, Casey Mullin (our musical colleague in Lathrop Library) and I traveled to the Mile High City of Denver Colorado for the 84th annual meeting of the Music Library Association. We were greeted by a swirling snowstorm and single-digit temperatures: novel to us, not so much for the East Coast attendees!
The Archive of Recorded Sound (ARS) and Stanford Media Preservation Lab (SMPL) recently worked with the Center for Computer Research in Music and Acoustics (CCRMA), specifically Emeritus Professor John Chowning and current CCRMA director and Duca Family Professor Chris Chafe, to locate, research, and digitize a series of videos from the Archive's CCRMA Tape Collection (ARS.0037) documenting a significant event in the history of CCRMA and electronic and computer music at Stanford.
In September 1991, numerous pioneers of electronic and computer music, including Robert Moog and Max Mathews, convened at Stanford during the University's centennial weekend (Sept 27-29, 1991) for a concert and symposium honoring the then 95 year-old inventor of the first practical electronic musical instrument, Leon Theremin. Theremin's instrument, which bears his surname, has become arguably one of the most well known and recognizable electronic musical instruments ever devised, and has since inspired numerous subsequent inventions, such as Max Mathews' radio batons. It has been used in countless musical works, perhaps most famously in the Beach Boys 1966 hit, Good Vibrations. It also gave rise to the career of virtuoso Theremin performer, Clara Rockmore.
Alert 747: Suspected Nuclear Test - A journey to uncover facts and create dialog through humanistic creative production. This February, Stanford University Libraries (SUL) highlights a special collection, Vela 6911 by Victor Gama, with an exhibit on display in the Green Library South Lobby from February 3- March 9, 2015. Vela 6911 is a multimedia musical piece created by Victor Gama, an Angolan composer and designer of contemporary musical instruments for new music. This exhibit offers a glimpse into this vast collection of research, images, video content and musical scores that reside in the SUL Archive of Recorded Sound. It also supports and coincides with the March 6th live performance of VELA 6911 by Gama, the Stanford University New Ensemble and special guests from Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). Information about the concert is at the Stanford Events Page.
About two months ago, I accidentally wandered into an antique shop in Fairfax, California. Inside there was a seemingly random arrangement of kipple which the shopkeeper clearly understood. It was as if I had discovered a surreptitious vault in an Indiana Jones movie filled with gleaming mounds of treasure, a glut of pearls and gold, a feast for the eyes*. I hesitated, unsure of where to start, slightly concerned that something would fall on me.
Eight new digital collections are now available in SearchWorks. These collections take advantage of SearchWorks' ability to provide users with rich discovery and access capabilities for finding and working with digital collection content.
Abstract: Primarily fragments, these specimens were acquired to demonstrate the development of writing in the western world. A variety of scripts are represented, from Carolingian minuscule to the humanistic hands and the "cancelleresca."
Collection contact: Benjamin Albritton
A wide range of sound recordings come to SMPL for digitization. Recently two disc recordings from the Archive of Recorded Sound’s Non-Commercial disc collection (ARS 0033) appeared in our queue: 6” duo disc blanks likely dating from the late 1940’s into the early 1950’s with recordings on one side. The discs appear to be have been recorded by a service called Santa Gram that sold semi-custom recorded greetings from Santa to children.