The University Archives is pleased to announce that "Crossing the Line," a documentary created by Hillary Streeter ’14 on homophobia and gender stereotypes in sports at Stanford, is now streaming online. The film — made possible by a grant from the Bingham Fund for Student Innovation in Human Biology — features individual interviews with a range of Stanford student-athletes across all sports and genders, discussing stereotypes about their sports, and the consequences of these preconceptions of gender and sexuality.
Fourteen new digital collections representing content from SUL, Image, Video and Multimedia Systems - Stanford University and Hoover Archives, are now available in SearchWorks. These collections take advantage of recently released SearchWorks functionality that provides researchers with new rich discovery and access capabilities for finding and working with digital collection content. In addition to the 11 collections from Stanford University Archives that Daniel Hartwig blogged about, researchers may now discover:
The University Archives and DLSS are pleased to announce that eleven digital collections have been added to SearchWorks and can be accessed from the Selected Digital Collections link on the SearchWorks homepage. Representing a variety of formats ranging from manuscripts and photographs to audio and video, the collections include more than 10,000 files and span the history of the University.
The University Archives and Media Preservation Lab are pleased to announce that more than 800 audiorecordings from the Michelle R. Clayman Institute have been digitized and are now streaming online. The recordings document seminars, talks, conferences, and lectures held at the Institue from 1973-2004.
The University Archives is pleased to announce that the Ed McCluskey papers have been processed and are now available for research use.
The recent digitization of cassettes from the Clayman Institute for Gender Research was a reminder of the wide range of collection sizes preserved by SMPL. This entry will give a brief description of why this collection is interesting and how it relates to the multiple workflows of the Stanford Media Preservation Lab.