Since 1952 Donald Pippin has been a part of the musical life of San Francisco. He is best known as the founder of Pocket Opera, which started in 1977 with the purpose of making opera more accessible to the average concert goer by presenting opera in unique English language translations with a small chamber ensemble. The Donald Pippin Collection consists primarily of Pippin's English translations of opera librettos available as pdf files.
A new exhibition has just opened at the Stanford Music Library entitled Treasures from the Archive of Recorded Sound, on show through August 14. The exhibition was curated and installed by the Archive of Recorded Sound's Interim Operations Manager, Benjamin Bates, who describes the content and theme of the exhibit in more detail.
Four new digital collections were added to SearchWorks via Stanford Digital Repository (SDR) online deposit during the month of March. These collections take advantage of recently released functionality that provides researchers with new rich discovery and access capabilities for finding and working with digital collection content.
2013 marked the 200th birthdays of Giuseppe Verdi and Richard Wagner. The Music Library purchased a number of out-of-print and rare scores of works by both composers, and books by and about Wagner. The Wagner works include his Die Kunst und die Revolution (Leipzig, 1849) and Deutscher Kunst und deutsche Politik (Leipzig, 1868), Julius Lang’s Zur Versöhnung des Judenthums mit Richard Wagner (Berlin, 1869), and Hermann Schneider’s Richard Wagner und das germanische Altertum (Tübingen, 1939). Arrangements for piano, 2-hands including overtures to Christoph Columbus (Leipzig, 1908), Faust (Leipzig, 189?), and König Enzio (Leipzig & London, 1908), and a score of Lohengrin in French (Paris 1891) were also acquired. All of the Wagner materials are described in Significant Acquisitions 2012-2013, on the Music Library’s web page.
How Big is a Big Map? Digitizing William Smith's Stratified Map of England, Scotland and Wales from 1815
By Deardra Fuzzell and Wayne Vanderkuil
A historic geologic map, the data for which was compiled over the course of many years by one determined man, William Smith. Completed nearly 2 centuries ago, it remains incredibly relevant.
This is one of the largest and most difficult oversized objects Stanford has digitized thus far.
See how the Digital Production Group went about imaging this unique item.
The Program in Feminist Studies at Stanford has been around since 1981, but in 2013 the program officially changed its name to the Program in Feminist, Gender and Sexuality Studies in order to be more inclusive of the broader range of scholarship related to gender and sexuality research. For the history of this name change, please see the story in "Gender News". Apropos of the name change, 2013 also marks the first year that the program's undergraduate honors theses have been archived as digital files in the Stanford Digital Repository (SDR).
The University Archives and DLSS are pleased to announce that the Project South transcripts are now online. The transcripts document meetings and interviews with civil rights workers in the South recorded by several Stanford students affiliated with the campus radio station KZSU during the summer of 1965. The project was sponsored by the Institute of American History at Stanford.
"[T]he oceans have always belonged to the clams."
At least from a metabolic perspective, according to Earth Sciences Professor Jonathan Payne and his co-authors. The researchers have just published an article in the Proceedings of the Royal Society B: Biological Sciences about the struggle for dominance between brachiopods and bivalves.