The University Archives recently completed a CLIR-funded project to process the papers of the late Dr. Stephen Schneider. Steve was a professor who taught Bio 15N, Bio 147, ES 10, ES 15 and ES 179, among other classes. Steve was very well-liked by students and collaborators alike per his student and peer evaluations. Steve grew up on Long Island and attended Columbia University, where he received his bachelor’s, master’s and PhD.
You might not think of worms when someone mentions neuroscience, but it turns out the tiny, transparent worm C. elegans is a great organism for studying the senses. That's in part because researchers have previously mapped the locations and synaptic connections of each of the 302 neurons of these 1mm long creatures.
More recently, researchers Juan Cueva and Miriam Goodman have performed studies using C. elegans to examine how certain touch receptor neurons are activated. They generated nearly 3300 electron micrographs of worm cross sections that have been preserved in the Stanford Digital Repository (SDR) and are now available for download and reuse by other researchers around the world (see below for links to the images).
Since 1952 Donald Pippin has been a part of the musical life of San Francisco. He is best known as the founder of Pocket Opera, which started in 1977 with the purpose of making opera more accessible to the average concert goer by presenting opera in unique English language translations with a small chamber ensemble. The Donald Pippin Collection consists primarily of Pippin's English translations of opera librettos available as pdf files.
A new exhibition has just opened at the Stanford Music Library entitled Treasures from the Archive of Recorded Sound, on show through August 14. The exhibition was curated and installed by the Archive of Recorded Sound's Interim Operations Manager, Benjamin Bates, who describes the content and theme of the exhibit in more detail.
Four new digital collections were added to SearchWorks via Stanford Digital Repository (SDR) online deposit during the month of March. These collections take advantage of recently released functionality that provides researchers with new rich discovery and access capabilities for finding and working with digital collection content.
2013 marked the 200th birthdays of Giuseppe Verdi and Richard Wagner. The Music Library purchased a number of out-of-print and rare scores of works by both composers, and books by and about Wagner. The Wagner works include his Die Kunst und die Revolution (Leipzig, 1849) and Deutscher Kunst und deutsche Politik (Leipzig, 1868), Julius Lang’s Zur Versöhnung des Judenthums mit Richard Wagner (Berlin, 1869), and Hermann Schneider’s Richard Wagner und das germanische Altertum (Tübingen, 1939). Arrangements for piano, 2-hands including overtures to Christoph Columbus (Leipzig, 1908), Faust (Leipzig, 189?), and König Enzio (Leipzig & London, 1908), and a score of Lohengrin in French (Paris 1891) were also acquired. All of the Wagner materials are described in Significant Acquisitions 2012-2013, on the Music Library’s web page.
How Big is a Big Map? Digitizing William Smith's Stratified Map of England, Scotland and Wales from 1815
By Deardra Fuzzell and Wayne Vanderkuil
A historic geologic map, the data for which was compiled over the course of many years by one determined man, William Smith. Completed nearly 2 centuries ago, it remains incredibly relevant.
This is one of the largest and most difficult oversized objects Stanford has digitized thus far.
See how the Digital Production Group went about imaging this unique item.