May 29, 2013 marks the centennial of one of the most storied premieres in modern history; namely, that of the ballet, Le Sacre du Printemps (The Rite of Spring) at the Théâtre des Champs-Élysées in Paris. The music was composed by Igor Stravinsky, with choreography by Vaslav Nijinsky, performed by Serge Diaghilev’s Ballets Russes; the orchestra was conducted by Pierre Monteux.
Today marks 100 years to the day since the infamous first performance of Igor Stravinsky's Le Sacre du Printemps (The Rite of Spring) at the Théâtre des Champs‐Elysées in Paris on 29 May 1913. The 31-year-old composer's two-part ballet score, coupled with 24-year-old Vaclav Nijinsky's choreography, provoked a riot on the opening night that according to most accounts rendered the music inaudible for most of the performance. The protests were so loud that Ballet Russes Director, Serge Diaghilev, was supposedly forced to shout instructions to his dancers onstage while flashing the auditorium's house lights in an attempt to quell the enraged audience.
With the University Archives making more and more collections available online, I'd like to take the opportunity to highlight some of the novel ways in which these materials are being used by researchers. What follows is a recent report from Ed Feigenbaum, Kumagai Professor of Computer Science Emeritus, about how his papers in particular are yielding interesting connections:
The Undergraduate Theses collections for Physics and Engineering Physics are now open for deposit. This year’s crop of top undergraduates in the Department of Physics and in the Engineering Physics program have the distinction of being the first undergrads to deposit their theses in the SDR. These two are the first of several honors theses collections opening this quarter. (The School of Education is assembling their collection together now, and two other departments may follow suit.)
Librarian Stella Ota manages the collections, working with faculty, staff, and the selected students to use the Self Deposit application. She has been collecting digital honors theses offline since 2010. When the ETD system launched in fall 2009, Stella had a vision for using a similar process to collect the Physics undergraduate theses for access and preservation in the SDR. Yet without a deposit interface, it proved to be challenging to track down each student, to have them sign a hard-copy deposit agreement, to collect the PDF files by thumbdrive or email, and to create the metadata. The Self Deposit workflow promises to make the whole process of collecting and archiving these works more systematic, more secure, and more efficient.
On April 17th the Stanford University Libraries held a special talk by architect, designer, and sustainable growth pioneer, William McDonough, co-author, with Michael Braungart, of the exciting new book: The Upcycle: Beyond Sustainability—Designing for Abundance. We are pleased to be able to share the video of the event.
Yesterday's panel discussion at Stanford Law School on 3D printing aroused more questions than it answered, especially given the diverse perspectives, assumptions, interests and even misunderstanding among the general public and within professional circles regarding what it is, it's wider implications and who, when and where (if found necessary) should regulate it. Legal issues stemming from product liability in cases of injury, copyright and patent infringement, as well as freedom and protections accorded to manufacturers, sellers and user were discussed. Similarities were drawn between the advent of the internet and the current 3D printing movement