Cathy Aster, Michael Olson and Sarah Sussman (SUL Curator of French and Italian) were invited by ATS colleague Nicole Coleman to a Stanford Digital Humanities & Design workshop, "Early Modern Times & Networks" where they presented a summary of the Bassi-Veratti project on 24 August 2012. They led a discussion focused on the Encoded Archival Description (EAD) XML encoding of the finding aid to facilitate discovery of digitized content i
Last week Stanford open sourced the code responsible for the Nearby on Shelf feature in SearchWorks as the Blacklight Browse Nearby gem. This feature has been highly sought after by various Blacklight institutions to be contributed back to the community. In keeping with the spirit of the vibrant open source community around Blacklight, Stanford has contributed the development effort to get this codebase available for use and contribution by other Blacklight implementers.
The release of this software was the culmination of a re-write of the SearchWorks code making it an installable package, more generalizable, and suitable in an open source context. Due to that fact, the end product is much more generic that SearchWorks' version (as you can see in the side-by-side screenshots below with SearchWorks being on the right) however it is infinitely more customizable.
The Stanford University Libraries recently launched a redesign of its main library website at http://library.stanford.edu. This is a Drupal 7-based site hosted on Pantheon.
In the future we hope to document more thoroughly the technical approaches we took on several bits of the site, but for now I'll summarize a few of the features this community might be interested with a brief summary of the technical approach taken for each. In no particular order:
Congratulations to the winners and runners-up of the 2012 PEN Literary Awards, who were announced this week. This year marks the 90th anniversary of the awards -- "the most comprehensive literary awards program in the country," according to the PEN America Center's blog.
From the PEN American Center's website:
What's the first name you think of when considering the development of electronic music? Edgard Varèse? John Cage? Karlheinz Stockhausen? Now how about computer music? Max Mathews should be at the top of your list. While at Bell Laboratories in 1957, Mathews wrote the program MUSIC, ushering in an era of digital synthesis and composition. MUSIC went through many iterations, but its lasting influence can be seen in contemporary programs such as Max/MSP, itself named after the late pioneer.
Originally posted in ReMix: The Stanford University Libraries Newsletter
Sixteen volumes selected from among the Libraries’ “beautiful books” were recently added – approximately 1,400 images in all – to the Stanford Digital Repository, where anyone can
now view Renaissance artistic visions of the fall of Troy, see the universe as Galileo showed it to hiscontemporaries, hear Dr. Johnson pitching his idea for the first serious English dictionary, and admire one of the last magnificent examples of the golden age of English fine printing just before WWII. As with all of Stanford’s rare and antiquarian books, the printed originals of these digitized volumes are cataloged inSearchWorks and can be requested for viewing in the Special Collections reading room. Now, via each item’s PURL (persistent uniform resource locator, which ensures that these materials are available from a single URL over the long term), researchers can work with digital as well as original printed editions. Scholars have discovered, though, that each has its own advantages and disadvantages, and often find it useful to consult both in their work.