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Friday, October 17, 2014

The Stanford Music Department and Archive of Recorded Sound are pleased to announce the launch of the Player Piano Project at Stanford University. The Player Piano Project will promote study and research into all aspects relating to the player piano and organ, especially as they relate to historically informed performance practice of the late nineteenth and early twentieth centuries. The Project seeks to bring together researchers, musicians, and others interested in contributing to knowledge of the player piano and organ. 

Wednesday, October 8, 2014

Revs Digital Library

In a roundup of motoring news from the Web, including rollout and pricing of new models, The New York Times acknowledged the vital role of Stanford’s Revs Digital Library in preserving automotive history. Revs was also described as a “fantastically curated” collection by autoblog.

Field Reading Room, Special Collections

Sympathy for the Devil: Satan, Sin, and the Underworld is on display through December 1 at the Cantor Arts Center. Curator Bernard Barryte included a number of rare books from Special Collections, such as early illustrated editions of Milton’s Paradise Lost, in the exhibition, which celebrates the arrival on campus of Jackson Pollock’s Lucifer, one of the most important works in the new Anderson Collection at Stanford University.

Wednesday, September 24, 2014

Kathryn Dickason, Ph.D. candidate in Religious Studies, created a website sponsored by the Stanford Arts Institute for Scripting the Sacred: Medieval Latin Manuscripts, a 2012-13 exhibition in Green Library, which she co-curated with librarian David Jordan. The site includes digital images and descriptions of most of the manuscripts that were exhibited then.

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