The Kronos Quartet has donated part of its collection of chamber music to the Music Library. Some scores are integrated into the general scores collection; a large part of the collection has been inventoried and is stored off site.
From 1981 to 2004, The Women's Philharmonic was a San Francisco-based professional orchestra dedicated to the promotion of women composers, conductors, and performers.
The Lully Archive is a repository of primary sources on microfilm originally gathered in support of publication of the complete works of Jean-Baptiste Lully (1632-1687).
The Schmidt Collection contains primarily photocopies of original and transcribed music for viol and lute gathered from a variety of libraries and archival repositories.
George Antheil was an avant-garde composer and pianist whose performances caused riots. The collection consists of George Antheil's correspondence. All but one of the letters are photocopies; the dates range from 1920 to 1959.
Lucie King Harris was an arts patron, a philanthropist, and an ardent horsewoman. The Lucie King Harris Books for Music Fund was the first endowed fund in Music at Stanford University. This collection of piano/vocal and solo piano music belonging to Lucie King Harris.
Florence Underwood studied with Darius Milhaud at Mills College in the 1940s. The collection consists primarily of her written music and the research she conducted to write the music. In addition, scrapbooks, personal, and legal papers make up a portion of the collection.
Bob Arnold was a popular music historian and collector in Albany, California. His collection consists of his research and correspondence, and includes scrapbooks, program notes, interviews on cassette, and compilations on open reel tape drawn from his music collection. Perhaps his most successful project was about a 1930s jazz singer named Midge Williams.
Riverwalk Jazz: Live At The Landing educated and entertained public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era.
Tape recordings of the Happy Jazz Band and the Jim Cullum Jazz Band covering over 30 years of the band's performances. The collection also contains performances by other noteworthy performers including Jack Teagarden and Bobby Hackett.
The William C. Lynch Dennis Brain Collection principally consists of commercial and unpublished recordings of the world renowned British horn player, Dennis Brain (1921-1957).
The Blanche Thebom Collection consists of scores, correspondence, publicity, production notes, and media from the mezzo-soprano's post-Met career as teacher and director.
The KSFO collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983.
The James Schwabacher Collection consists of sound recordings, correspondence, scores, scrapbooks, clippings, programs, teaching material and other papers from San Francisco philanthropist and lyric tenor James Schwabacher.
Open reel tape recordings of the “Annals of Jazz” radio program produced and hosted by historian and educator Richard Hadlock, broadcast on KCSM, San Mateo between 1982 and 1991.
The Ken Ackerman Collection consists of broadcast recordings of live jazz performances from the 1950s and 60s, captured at various clubs in San Francisco, particularly Club Hangover.
The Judith Rosen Collection consists of unpublished recordings of performances, lectures, and radio programs concerning classical music, focusing on twentieth century composition, as well as women musicians and composers.
Papers and recordings from American conductor and composer Gerhard Samuel (1924-2008), particularly from his years conducting the Oakland Symphony, Minneapolis Symphony, and University of Cincinnati Philharmonia Orchestra.
2,532 individual pieces of sheet music, sheet music lithographs, and music related broadsides from the United States in the 19th and early 20th centuries.
The Jack Lund Collection contains personal papers of Jack Lund, an avid classical music collector, as well as numerous newspaper and magazine clippings, photographs, and music books.
Over his lifetime, Denis Condon (1933-2012) amassed a collection of over 7500 piano rolls and ten instruments. The collection contains rolls of important composers of the period, all playing their own works.
![Primavera [1928], manuscript detail](https://library.stanford.edu/sites/default/files/styles/150x150/public/collection/image/rudhyar_ms_detail.jpg?itok=fQ6_KZ6O "Primavera [1928], manuscript detail -- Image by Ray Heigemeir/SUL")
