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Archive of Recorded Sound

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Ginsberg's handwritten notes for M0733_s11_ssB_b119_07

The Allen Ginsberg papers in the Department of Special Collections is truly the collection that keeps on giving. We here at the media lab have digitized a huge portion of the media (current count: 2000+ items), yet our interest in it remains high because of the sheer amount of gems hidden within. Even if we didn't enjoy Ginsberg, the vast amount of acquaintances he recorded from the 1950s until the 1990s would provide endless entertainment. 

Recording date on a Welte-Mignon roll label

How do you know a publication date? For most books, simply look for the copyright or edition information at the beginning. For mass produced modern CDs, check the edge of the disc surface for the “p date”, or maybe it will be in the booklet inserted into the container. But what about piano rolls for reproducing and player pianos? Stanford Archive of Recorded Sound’s Player Piano Project faces this question. The publication date certainly isn’t stamped on the label, yet we need it.

Theremin demonstrating his instrument, Stanford University, 1991

Earlier this year, I reported on recent work the Archive of Recorded Sound (ARS) had undertaken to preserve video footage of Leon Theremin's visit to Stanford in 1991. In addition to participating in a symposium during his visit, hosted by the Center for Computer Research in Music and Acoustics (CCRMA), Theremin was also the guest of honor at a concert held in Frost Amphitheater on September 27, 1991 during the Stanford Centennial Finale Weekend. The video footage preserved by the ARS earlier in the year unfortunately only included part of this notable concert. It was found to be missing some key performances, including an arrangement of Rachmaninov's Vocalise, featuring Theremin's daughter Natasha Theremin playing the vocal parts on her father's instrument, accompanied by Max Mathews conducting the orchestral parts with his radio batons. This footage was presumed lost...until now. 

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